Showing posts with label Kingdom of the Planet of the Apes. Show all posts
Showing posts with label Kingdom of the Planet of the Apes. Show all posts

Saturday, June 1, 2024

GODZILLA X KONG & KINGDOM OF THE PLANET OF THE APES: SHARED, PRO-VIRILE AGENDA?

Sometimes stories hold hidden designs. This is the gist of many a Twilight Zone. The same can be said of Ray Bradbury's The Martian Chronicles and Fahrenheit 451, Aldous Huxley's Brave New World and George Orwell's 1984. Some say that Harry Potter is a gal in a school boy's attire, who beguiles young minds with socialist sorcery. Can't say I disagree. In fact, it's rather obvious. 

Now with the latter examples acknowledged, and with action-male/hero bashing having been pressed on society over these past few years, something hit me. It's now the great apes who've taken the virile-adventure plunge, and with it, they're raking in big bucks through their tough-guy disguise. 

Take for instance, Godzilla x Kong: The New Empire, a Kong movie with guest spots by Godzilla and (the, alas, overspent) Mothra, which pivots its agenda with a simian, Rambo, who ventures into a secret sector to mingle with, and combat, his counterparts to save the global day.

Yes, in addition to Mothra, there are females featured in the tale, but all in all, Kong is the overriding, no-nonsense protagonist, who like heroes of old, doesn't use dumbass diplomacy to remedy wrongs, but pounds his foes through his sweat-and-blood physicality.

Godzilla x Kong's aped-out relegation reminds me of a Planet of the Apes chapter, and lo and behold, what should come on the Titan-ic sequel's heels, but another Apes feature.

Kingdom of the Planet of the Apes is also male dominated, especially when it comes to Proximus Caesar's base. As with Godzilla x Kong, females do surface, in particular the character, Mae, aka Nova, but she's in sync with the apes' arduous quest and like them, must get down and dirty (as males have managed to do by tradition) to achieve her ulterior goal. 

Kingdom is an indubitable battle of fellow (ahem) apes, its action centering between the Stallone-ish Noa and the entitled Proximus Caesar (who, by the way, is anything but Musk-motivated, and therefore, so much for all that goddamn, media-regurgitated spit and polish). 

It doesn't appear that the mainstream critics have caught on to the shared denominator of these back-to-back blockbusters. The fact that I'm mentioning it now may be foolhardy, since if the movie-making muckety-mucks were ever to see what's right under their noses, they'd probably interfere with any and all potential sequels, ruining them with misguided, Mary Sue (un)appeal.  

Then again, those in studio, high places must have cared enough to chisel and/or approve these pictures to be what they are, and maybe this means primal, virile exaltation isn't dormant, after all. If so, all I can say is, hallelujah, and for the here-and-now (and for as long as it takes), it'll be refreshing to see these great, manly apes beatin' their chests and punchin' the bad guys into defeat. 

Wednesday, May 8, 2024

I saw Kingdom of the Planet of the Apes

Director Wes (The Maze Runner) Ball's Kingdom of the Planet of the Apes, scripted by Josh (Terminator: Dark Fate/Paramount's The War of the Worlds 2005) Friedman occurs an implied, several hundred years after Matt Reeves/Andy Serkis' Caesar-led War of the Planet of the Apes

Per the plot, the intent of Caesar's constitution has become perverted, prompting apes to attack apes, despite the franchise's noted adage, "Ape shall never kill Ape" (though, let's face it, that proverb never held much practicality in the saga's social contention).

Owen (The Stand 2020/It Chapter Two) Teague's Noa heads the effort, a chimpanzee stationed somewhere between Caesar and Cornelius' ideologies. Noa's eagle-honoring village is burned by Kevin (Abigail/Robin Hood 2010) Durand's power-hungry gorilla, Proximus Caesar, with Noa's father, Neil Sandiland's Koa, killed during the invasion. 

It's been said that Kingdom is about seeking truth, but this noteworthy nugget is only part of the larger picture. Noa may seek truth, but he also seeks vengeful comeuppance, even if after much searching and contemplation, wrapped as it were in a self-preserving cloud. It's an understandable, if not logical approach, since allowing Proximus Caesar to go unscathed means his tyranny will spread. This Caesar also pursues the remnants of human technology to expand his regal stranglehold: disastrous leverage if permitted.  

Other characters participate in Noa's quest: Freya (The Witcher) Allan's Mae, aka Nova, a human whose starry sobriquet graces other Apes adventures; Sara (High Country) Wiseman's Dar, Noa's endearing mother; Peter (The Orville) Macon's mentoring orangutan, Raka; Lydia (Mr. Corman) Peckham's encouraging chimpanzee, Soona; Travis (Gallipoli 2015) Jeffrey's nervous but committed chimpanzee, Anya; Eka Darville's brutal, commander gorilla, Sylva; and William (Fargo 1996/Psycho 1998) H. Macy's Trevathan, a scholarly human wedged within Proximus Caesar's dictatorial dynasty.

Though several characters tend to get philosophical, most tend to fight, but then doesn't fighting leap from a philosophical perch? And those who fight look good doing so, especially through the lens of cinematographer Gyula (Maze Runner) Pados, who used old, camera techniques to give the movie (in particular its action scenes) anamorphic flair, in alignment with full-blown, avant-garde CGI. Much can be said, as well, of John (Maze Runner) Paesano's battle-ready score, which taps Jerry Goldsmith's psychotic percussions and Michael Giacchino's tribal swings. 

I can't say that Kingdom redefines the Apes legacy. However, I can say it's a top-caliber chapter in a juxtaposing mythology that keeps its ever morphing multiverse thriving. 

Since 1968, Planet of the Apes has stirred audiences' emotions, scrutinizing the human condition through its simian vantage. We're lucky to be blessed by a saga this provocative, and Kingdom perpetuates that tradition in a respectful and rousing way that should leave the generational legions yearning for more.