Showing posts with label Linda Hayden. Show all posts
Showing posts with label Linda Hayden. Show all posts

Tuesday, February 17, 2026

TASTE THE BLOOD OF DRACULA: A CLASSIC MONSTERS OF THE MOVIES TRIBUTE

Nige Burton & Jamie Jones, through Classic Monsters of the Movies, honors one of Hammer Studios' most interesting sequels: Taste the Blood of Dracula.

Directed by newcomer Peter (Countess Dracula/Hands of the Ripper/The Devil Within Her) Sasdy and written by Hammer veteran John Elder (aka Tony/Anthony Hinds), Taste bleeds with style (thanks in substantial part to cinematographer Arthur Grant), so much so that some Hammerheads rank the 1970 chapter right alongside the studio's vampiric breakthrough, (Horror of) Dracula

As Burton and Jones explain, Christopher Lee was reluctant to revive his Count, and early on, the script catered to a surrogate to replace him (rather in the vein of Brides of Dracula's Baron Meinster), that being Ralph (Horror of Frankenstein/Dr. Jekyll and Sister Hyde/Lust for a Vampire/The Devil Within Her) Bates' Lord Courtley. Bates' character does, in fact, dominate the first phase of the dark exploit, but he's later made a vessel from which the Dracula manifests. 

The authors detail how Elder's script switched antagonists, while maintaining its Faustian theme, centering on a Hellfire Club knockoff. The setup, therefore, is different than other Hammer/Dracula movies. Taste's club-of-debauchery twist is unexpected, and though Lee may have been wary (and weary) of Hammer's tried-and-true formula (reinstated by Warner Bros-Seven Arts' insistence), this submission established a memorable, guilt-ridden parable. 

The cast helps, of course (its members detailed by pleasing, pictorial bios), headlined by the always regal Lee (who donned, for a portion of this movie, consuming-red contacts to emphasis his ravenous resurrection), and Bates enacts Courtley's immoralist with chilling condescension. They are accompanied by Linda (Blood on Satan's Claw/Madhouse/House on Straw Hill) Hayden; Martin (Titanic 1997/Eragon/The Girl with the Dragon Tattoo) Jarvis; Anthony (Vampire Circus/Young Sherlock Holmes/Sherlock Holmes Returns/Raiders of the Lost Ark) Corlan; Ilsa (A Hard Day's Night/Dr. Terror's House of Horrors/Indiana Jones and the Last Crusade) Blair; Geoffrey (The Scarecrow of Romney Marsh/Cromwell/Doomwatch) Keen; Michael (The Brides of Dracula/Dracula Has Risen from the Grave/Scars of Dracula) Ripper; Peter (Wallis & Gromit/Last of the Summer Wine/A Night to Remember) Sallis; John (Captain Kronos/Plague of the Zombies/Doomsday) Carson; Roy (Scrooge 1970/The Three/Four Musketeers) Kinnear; Madeline (The Vampire Lovers/Frankenstein and the Monster from Hell/Live and Let Die) Smith; Russell (The Brave Don't Cry/Doctor Who: "The Robots of Death") Hunter; ... and Gwen (Never Take Sweets from a Stranger/Fall of the House of Usher 1950) Watford: indeed, as classy an ensemble as any Hammer production could deliver. 

The Classic Monsters "Ultimate Edition" is all the more impactful for its scrumptious stills and publicity imagery, tied by Burton & Jones' "Quotable Quotes" and revealing trivia. 

Please Note: Supplies of Classic Monsters' first-run printing for the Taste the Blood of Dracula are now low, so move fast while they last.

https://www.classic-monsters.com/shop/product/taste-the-blood-of-dracula-1970-ultimate-guide-magazine/

Tuesday, February 18, 2025

THE BLOOD ON SATAN'S CLAW: A CLASSIC MONSTERS OF THE MOVIES TRIBUTE

A standout in folk horror is Piers (The Outcasts/Venom 1981/The Fiendish Plot of Fu Manchu) Haggard's 1971 contribution, (The) Blood on Satan's Claw

The Hammer-styled, Cannon Film's release is commemorated by Classic Monsters of the Movies' writers/researchers Nige Burton and Jamie Jones in a 36-page, high-stock, deluxe edition, which leaves no sinful stone unturned when covering the 18th-century-based, rustic fable. (For example, how many know that the movie commenced as an anthology?) 

The plot, coscripted by Haggard with Robert (The Outcasts/The Judgment of Albion) Wynne-Simmons, underscores Burton & Jones' text, where a farmer disinters an "inhuman" corpse that the neighboring, young people believe harbors a advantageous, dark spirit. In the wake of its manifestation, a foreshadowing, demonic possession occurs, as well as a horrific, self-mutilation, underscored by a lass named Angel Blake, who harbors the corpse's "claw" and applies ritualistic telepathy to spur hideous, hairy splotches on the villagers' skin. They're compelled to cut these marks from their flesh and offer them to the reconstructing apparition. This leaves those yet unmarked to cower, but a haughty yet disciplined judge defies the supernatural coercion, marching forth to purge the community of Satan's hold. 

Much of Satan's Claw's springs from its cast: Linda (Taste the Blood of Dracula/Madhouse/Night Watch/Vampira/Queen Kong) Hayden (who submits a potent, nude scene), Barry (Dracula Has Risen from the Grave/The Spy Who Loved Me/Doctor Who) Andrews; Patrick (Witchfinder General/Dr. Syn/Children of the Damned/The Skull/Repulsion) Wymark; Tamara (The Last Horror Movie/Blood From the Mummy's Tomb) Ustinov, Michele (And Soon the Darkness/Late Night Horror/The Witches) Dotrice; Howard (Berserk!/The Evil of Frankenstein/To the Devil a Daughter/Crucible of Horror) Goorney; Simon (Agony/The Uncanny) Williams; Robin (If.../Catweazle/Warship) Davies, Wendy (Doctor Who/Freewheelers) Padbury; Anthony (Doctor Who/You Only Live Twice/The Land That Time Forgot) Ainley; Charlotte (Village of the Damned/The Adventures of Black Beauty) Mitchell; as well as other, stately performers, met by pleasing biographies, including such contributors as cinematographer Dick (Twins of Evil/Dracula A.D. 1972/Phase IV/The Sorcerers) Bush and producer Tony (The Creeping Flesh/The Blood Beast Terror/Repulsion/The Sorcerers) Tenser, whose know-how accentuates the production's idyllic menace.  

As with other Classic Monsters releases, Burton and Jones share insightful trivia and quotes from the entry, while uplifting their thorough text with vibrant stills and publicity tie-ins. 

Satan's Claw has been too often overlooked by certain, foolhardy sectors, but despite its occasional flaws (and what movie is devoid of such?), it does deserve full, "classic" designation; many thanks to Burton and Jones for giving it the high, devilish designation it deserves. 

Order at

https://www.classic-monsters.com/shop/product/blood-on-satans-claw-1971-ultimate-guide-signed-art-print/