A new, Adarkah Ianqu creation launches October, entitled Sweet Dreams, Underworld.
The sojourn is once again industrial, and though concise, it bangs with the basic yearnings for epic escape.
"As as" is a blunt prelude, featuring punched buttons and computerized dictation: a work-place serenade of forged fate from out which one dares to liberate.
As such, "I'm done" denotes a rationalized resignation. In this example, Ianqu filters vibrations that represent arms thrown up and tasks tossed down, all in a raging refusal to play life's gargantuan game.
However, when prolonged inactivity proves too torturous, "Liqueur" becomes a re-calculated reply, as more buttons and dictation round the inebriated bend, but despite how hard one punches, computes...swallows, the solutions skid away.
Soon there's only "slippage", with crazy clamors that allude to clogged pipes and gurgling drains: a drilling, spiraling descent into the most paralyzing depths any nightmare could contain.
And in that elated, putrid place, one stays "in trance", stuck in the mud, fringed by unabated waste, making no impact, but in the instigating interval, nevertheless letting one's departure stand as the greatest possible stance: defunct, perhaps, yet oh-so-sweet in taste.
Visit Ianqu's illusive, underworld dreams at
https://adarcahianku.bandcamp.com/album/sweet-dreams-underworld?fbclid=IwAR0fdOE-aRS2NS88K-UomuMaBdVIar8laVMbXy25pp5wmGHQfyjCXo50178.
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