Will the weird, electronic wonders of Adarkah Ianqu never cease? Do we wish them to? Hell, no, especially when they're as rich as one finds in his latest: beyond the universe.
Its seven tracks beckon one into foreboding, astral planes, but one must determine whether they exist beyond this earth or all within one's anguished brain.
The intro track, "somolence" is a perfect kickoff: a hypnotic lullaby that hisses like a snake, but more beautifully than any reptile could ever hope, while pulling one down a ripe throat, where a smorgasbord of emotional templates await.
"Somolence", in essence, births "chloe" and "nor imagination", with the former acting as a chain-dragging, second tier and the latter, a void into which one can regurgitate one's darkest desires.
One finds, however, that the fruits of one's mad labor are fruitless at the core, for "chica" answers them with a parade of thudding doom. To accentuate this, "social idiots" reminds one of the repetition that halts one's eager expectations, presenting a deadening beat that goes on and on.
Hope comes through "try to think twice", where one combats the mundane mindset of one's humdrum life. Within this sector, all turns razor sharp, but is it escorting one's rise or fall?
One pulls the answer in "tarot 13th card", where one's fate is sealed, depending on how vivid or bleak one wishes it. Either way and from henceforth, the adventure is plotted without any chance of return.
Strap in for Ianque's bizarre blastoff: a trip one will fancy or fear, and maybe if one's lucky, a little of both:
https://adarcahianku.bandcamp.com/album/behind-the-universe?fbclid=IwAR0N2AxrJjJsqieYVL47R6ClKWjj7sEkZqecdsT5dtgfhZGdX5efaOlK1HQ.
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